| MYSTERIES/THRILLERS FOR TEENS by Heather Birrell
In this, the fourth in Valerie Sherrard's Shelby Belgarden Mystery series, our eponymous
heroine finds herself embroiled in some back-handed office politicking right in her own
home town of Little River, New Brunswick. Supposedly alone for the summerùwith her
boyfriend Greg away with his father and her bosom buddy Betts on vacationùShelby
follows her nose, and an ambulance, only to find that an acquaintance, the elderly Mr.
Stanley, has broken his hip. Shelby, ever kind and somewhat of a meddler, is charged
with taking care of his cat, Ernie, and thus a red herring is born. Although the incident
initially appears ominous, Shelby's relationship with Mr. Stanley is less about foul play
than a love-your-neighbour lesson that threads its way through the novel.
As it turns out, the real mystery here lies in the fact that Betts and her family have not in
fact been holidaying, but are under a self-imposed house arrest, brought on by the fact
that Betts's mother, Mrs. Thompson, has been accused of stealing company secrets from
her employer. Once Shelby has reconnoitered with Betts, her friend convinces her to go
undercover at the office as a summer student in order to do some of the snooping and
solving she has become famous for. When she's not at her day job, Shelby spends time
on her long distance relationship with Greg. Although charming in places, this
correspondence leans heavily towards the soppy, and might grate on more hard-boiled
sensibilities.
Fortunately, Sherrard sketches the office in all its attendant pettiness and co-operation
very well, delineating certain "types" with which we are all familiarùincluding the ditzy,
ever-manicuring receptionistù without resorting too often to clichT. Shelby takes all of
this in stride, covering for her co-workers and impressing the boss even as she jots clues
in her pocket notebook. This immersion in an environment foreign to a teenager is the
book's strong suit. Not only is it handled with humour and just the right amount of voice-
driven naivete, it acts as fair warning regarding the absurdities of the working world for
both Shelby and the reader.
But what of the mystery? The clues are few and far between, and I, like Shelby, found it
difficult to link any of them with any certainty. This made the denouement, wherein the
teenaged sleuth deduces not only who the culprit is but the whys and hows of the crime,
seem somewhat unlikely and frustrating. Despite this shortcoming however, Sherrard has
delivered a lively read, Nancy Drew-esque in its innocence and reliance on old-fashioned
values.
|