| A Review of: India: The Definitive Images: 1858 to the Present by Greg GatenbyKhushwant Singh, one of India's most famous and internationally-acclaimed
authors, began his writing career in Ottawa where he was a junior
diplomat so out of favour with the ambassador that he was given
nothing to do. Bored, he started to write stories and his earliest
publications were in Canadian lit mags. Six decades later, as
eminence grise, he has written a savvy Introduction for a beautiful
book of photographs of his native land: India: The Definitive Images
1858 to the Present. Included in this visual anthology are the
works of such globally-applauded stars as Henri Cartier-Bresson and
Margaret Bourke-White, as well as photos by many Indians who are
not well-known outside the subcontinent. Most of the pictures are
in colour, and each is accompanied by two or three paragraphs about
the shooter and the image. No one book can reflect all of a country,
but this one would seem to come close: Bollywood, Ghandi, the Raj,
the poor, the wars, the millions-and the beauty-are all captured
powerfully on film.
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